The shots you used to dream about. Now you can actually make them.
Pre-viz to delivery, character consistency across an entire scene, model selection per shot, and pipeline integration with the post tools your editor and colorist already use.
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The four jobs filmmakers come here to do
Filmmakers and motion designers do not need a generic AI tool. They need specific shots, in specific scenes, that hold up at delivery resolution and fit a real post pipeline.
Pre-viz and concept exploration
From script page to animatic in an afternoon. Block out scenes before you are locked into shot lists. Generate concept frames from a script breakdown, build animatics in the same workflow, and explore lighting, composition, and lens choices before committing.
Character and asset consistency
The single hardest problem in AI filmmaking: keeping a character looking like the same character across 50 shots. Cast once, use across every shot. Train custom LoRAs for recurring faces, props, or locations. Lock costumes, lighting, and visual treatment across a sequence.
Impossible shots
The shots traditional production budgets cannot reach. The crane move you could not afford. The location you could not shoot. The creature you could not build. Generate establishing shots, direct camera moves, and composite generated elements into traditional plate footage.
Post enhancement and delivery quality
AI footage looks fine on a laptop. It falls apart on a real screen. Upscale to broadcast and theatrical resolution. Maintain detail and motion clarity at 4K and beyond. Export plates and beauty passes ready for Nuke and After Effects. Color-grade through DaVinci.
Workflow recipes built for film and video
Open any workflow with one click. Start from a recipe, modify, run.
Pre-viz to animatic pack
Input: scene description or script breakdown. Output: 20 concept frames, blocked into an animatic, ready for director review.
Character LoRA training
Input: 10 to 20 reference images of your character. Output: a trained LoRA usable across image and compatible video models.
Cinematic relight
Input: an existing shot. Output: relit version with new lighting setup (golden hour, neon, hard side light, and more).
Upscale for delivery
Input: AI-generated footage at standard resolution. Output: 4K or higher, motion-clean, broadcast-ready.
Multi-angle coverage
Input: a base shot. Output: matching coverage from a new angle, over-shoulder, reverse, and close-up.
Every major video model, pipeline integration included
The biggest mistake in AI filmmaking is committing to one model. Different shots need different models. Pick per shot, then deliver into the post tools your team already uses.
Veo (Google)
Strongest cinematic motion, best handling of complex camera work. Best for establishing shots, crane and dolly moves, and atmospheric scenes.
Kling and Seedance
Strong on character and figure work, dynamic action. Fast iteration for dance and motion work. Best for performance-driven shots.
Sora-class and Hailuo
Premium cinematic shots and solid all-rounder consistency. Best when you need maximum detail or sequence-level continuity.
Nuke and After Effects
Export plates, beauty passes, and depth maps in EXR for compositing. Z-depth extraction for 2.5D work. Adobe-friendly exports with editable layers.
DaVinci Resolve and Premiere Pro
ProRes and DNxHR exports for color pipeline. Color-managed exports respecting Rec.709, Rec.2020, and DCI-P3. Audio sync, markers, and metadata preserved.
Cinema 4D, Blender, Houdini
Plate and matte export for 3D integration. Camera matchmove preservation in metadata. HDRI and lighting reference export for tight 2D/3D round-tripping.
Frequently asked questions
What working filmmakers ask before bringing AI into a real production.
Can I keep a character consistent across 40 shots?
Yes. Cast a character once, train a custom LoRA, and use it across every shot in your scene. Costumes, lighting design, and visual treatment can be locked across a sequence. This is the consistency layer that breaks most other AI tools.
What is the delivery resolution? Will my colorist be happy?
Upscale workflows take generated footage to 4K and beyond with motion clarity preserved. Exports to ProRes and DNxHR respect Rec.709, Rec.2020, and DCI-P3 color spaces. Plate and beauty-pass exports drop straight into Nuke and After Effects.
Can I pick different models for different shots?
Yes. Veo for cinematic motion, Kling for character work, Seedance for dance and motion, Sora-class for premium shots, Hailuo for consistency. Pick per shot inside the same workflow rather than being locked to one model.
Does this fit a real post pipeline?
Yes. The export side is built for real post: EXR for Nuke compositing, editable-layer exports for After Effects, color-managed ProRes for DaVinci, audio sync and metadata for Premiere, plate and matchmove export for Cinema 4D, Blender, and Houdini.
Can I composite AI elements into plate footage?
Yes. Generate elements, export plates and depth maps in EXR, and composite in Nuke or After Effects. Match-grain and match-grade exports help with plate integration.
Can I direct camera moves like dolly, crane, push-in?
Yes. Camera control is exposed through model parameters and prompt formulas documented in each model deep-dive. Different models handle different camera work better; the decision tree recommends the right model per shot.
How do you handle character LoRA training?
Upload 10 to 20 reference images of your character (multiple angles, expressions, lighting). The training workflow produces a LoRA usable across compatible image and video models. Train once, reuse across the whole project.
Is there an SLA for production work?
Enterprise plans include uptime SLAs and dedicated support for production schedules. Most working filmmakers run on Premium or Ultra for higher concurrency and priority queueing during heavy generation phases.
Make the film you have been carrying in your head
Pre-viz to delivery, character consistency, every major model picked per shot, real pipeline integration with Nuke, After Effects, DaVinci, and Premiere. Start free with credits, no credit card.
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