FLUX 2 prompt library

A natural editorial portrait of a woman with freckles and loose curls, soft window light from camera-left with subtle fill, warm neutral background, genuine relaxed expression, shot on an 85mm lens at f1.8, Kodak Portra tones, fine grain, realistic skin texture with visible pores.

A brushed steel watch on a dark slate surface, single softbox from the upper left creating a controlled gradient on the case, tiny reflections in the crystal, macro detail on the dial, shot on medium format with an 80mm lens, crisp commercial product photography.

A sunlit Scandinavian living room in bone and oat tones, morning light raking across a linen sofa, a ceramic vase and books styled on a low oak table, shot on a 24mm lens at f5.6, natural colour, architectural digest photography, clean believable space.

A man in a tailored grey overcoat crossing a city street, mid-stride, shallow depth of field isolating him against blurred traffic, overcast diffused light, shot on a 50mm lens at f2, muted cinematic grade, candid documentary fashion feel.

A rustic bowl of ramen on a dark wooden table, steam rising, a single hard light from the back-left rim-lighting the steam and broth, chopsticks lifting noodles, shot on a 100mm macro lens, moody restaurant photography, rich shadows, appetising detail.

A lone tree on a rolling hillside at golden hour, long warm shadows, soft haze in the distance, a 35mm lens at f8, subtle lens flare, Portra-like tones, fine grain, believable natural landscape photograph, no oversaturation.

A ceramicist standing at her wheel in a cluttered daylit studio, clay on her hands and apron, looking calmly toward the lens, window light from camera-right with a soft bounce fill, shot on a 35mm lens at f2.8, muted natural grade, fine grain, honest documentary portrait.

A macro shot of a lipstick bullet angled against a dark stone surface, a single hard light from the upper right sculpting the edge, the texture of the pigment visible, tiny specular highlight on the tip, shot on a 100mm macro lens at f5.6, crisp beauty product photography, rich shadows.

A boutique hotel lobby in walnut, brass and deep green, late-afternoon light entering from the left through tall windows, warm practical lamps glowing in the background, shot on a 24mm lens at f5.6, natural colour, straight verticals, architectural photography, believable materials.

A runner catching her breath against a concrete wall in hard late-morning sun, sweat and skin texture visible, strong directional shadow across the wall behind her, shot on an 85mm lens at f2.8, high-contrast muted grade, fine grain, honest sports editorial feel, no retouching.

A simple still life of two pears and a linen cloth on a weathered oak table, soft window light from the left with deep natural falloff to the right, dust visible in the beam, shot on an 85mm lens at f2.8, muted painterly grade, fine grain, quiet classical composition.

A narrow city street at night lit only by shop windows and a single street lamp, wet pavement holding the reflections, a figure walking away from camera in soft focus, shot on a 35mm lens at f1.4, cool grade with warm practicals, visible grain, believable available-light photography.